Michael Jackson - Liberian Girl (Irregular Disco Workers Sunshine Edit)
Irregular's take on a beautiful classic - now even more beautiful.
Opening in a balearic beat and adding a touch of synth bass, this edit takes the song from it's ethnic feel into a late midnight groover.
This IS it!
This blog is dedicated to music re-edits.
No remixes. Just re-edits.
Like Eddie Murphy, I got some rules when I throw down:
Re-edits can only contain elements from the original recording.
No new melody or elements must be added, e.g. extra instruments or vocals. That would make it a remix.
Then again: a little kick and a snare to mark things up never hurt nobody.
It's OK to fade, reverse, cut, loop and add delay/reverb/phase fx etc. to the mix.
It's OK to included any version available of the recording: extended, dub, a capella, instrumental, perc-apella, live etc. as long as it is the same artist.
The re-edit must work better than the original. Else it's pointless, Tess!
Feel free to submit your re-edit to the Soundcloud group at the top. If I like, I'll post it here.
Note: Any mp3s are for listening purpose only. If you DL, please delete afterwards and go buy the record.
Re-edits history
Re-edits (or later extended versions) are altered versions of an existing song with repeated and reordered arrangement.
The re-edit was born because pre-disco DJs like Francis Grasso and Walter Gibbons and music aficionado Tom Moulton saw the advantages of longer versions; dancing people are responding to specific instrumental parts of the song (often a drumbreak or breakdown) and they want to stay in the groove for longer than just the usual 3:20 the single could provide.
At first they mixed two identical records on the spot, but later they would use reel-to-reel and cassettes. Eventually, when the record companies saw the sales potential, the DJs took it from the booth to the studio. Since, the art of re-editing has been refined by people like Danny Krivit, Tom Moulton, Walter Gibbons, Yam Who?, Todd Terje Dimitri from Paris and Pilooski.
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